Essentielle Cookies helfen uns bei der Bereitstellung unserer Website. Auf der Seite Videos zeigen wir YouTube-Videos, die Sie erst erst nach Einwilligung zu den Datenschutzbestimmungen von YouTube ansehen können.
Autumn warmth, far away from the tangible world. Sad and comforting, dark and healing. B-Five and Sofie Vanden Eynde capture this rarely heard music in agile ensemble play and let Ferrabosco's pavanes and allemandes dance at the intersection between frivolous hunger for life and thoughtful resignation.
Byrd rules! So ingenious, so lively, so melancholy and so full of deep humanity. In this programme, B-Five deepens their admiration for the "Father of English Music". Top soprano Sunhae Im weaves her feathery voice through the flutes of B-Five and brings some of Byrd's most moving "consort songs".
Lieder und Tänze vom Hof der Wittelsbacher
B-Five takes Ferrabosco's autumnal pavanes, written at the intersection between Renaissance and Baroque, as the starting point for a programme full of new, contemporary resonance. Composer Frederik Neyrinck wrote a suite especially for B-Five that dances around the pavanes of Ferrabosco.
B-Five move through Dowland's work in this programme, accompanied by contemporary Swiss composer Carl Rütti. Rütti composed a suite especially for B-Five that closely follows Dowland's path of life. From England to Denmark and back: a turbulent journey full of unadulterated nostalgia, a wink to virtuoso and intimate harmonies. Old and new reach out to each other and Dowland enters the twenty-first century: semper Dowland, semper dolens…
B-Five follows the traces of artistic migration during the Renaissance: refined diminutions, polyphonic sound structures and lively folk dance melodies bear witness to the beauty that flourished from the encounter of different musical traditions.
